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NAAN KADAVUL – MOVIE REVIEW

NAAN KADAVUL (Tamil,2009)

Director : Bala

Cast : Arya , Pooja

This movie had been delayed for a long time , and increased curiosity levels to an all time high. It has finally hit the screens thankfully , and the best part is , it has justified all the hype and massive expectations surrounding it.

Bala , who gave us gems like Sethu, Pithamagan, Nandha has yet again proved why he is still considered a force to reckon with , in spite of the long time delays associated with his projects.

“Naan Kadavul” starts off with some beautifully filmed sequences in the Holy Town of Kasi. A father , heeds the words of astrologer , who tells him that his son will be a bane to the family , as his stars are not proper. Unable to live with such a burden , the father takes his son to Kasi , and abandons him there . 15 years later , the father returns to Kasi , hoping to locate his son , and persuade him to return to his native town MalaiKovil in Tamil Nadu.

His son , has now turned out to be an Aghori Sadhu. These people are extremely unique , and their ideals are beyond the comprehension of normal people like us . Rudra (Arya) agrees to return home , on the orders of his Spiritual Guru. What happens when Rudra returns to his roots , forms the rest of the story.

Contrary to all expectations , “Naan Kadavul” is not all about Rudra alone. We then realize that the temple town of Malai Kovil , is home to a huge and disgusting beggary racket. In fact this forms the major part of the story . These beggars are controlled by the ruthless Muthalali , the crooked villain , who manipulates the lives of these beggars , and makes a tidy fortune everyday , from their earnings.

The movie focuses largely on the helpless lives of these poor beggars. Later on in the movie , Hamsavalli (Pooja) a blind beggar , is forced to join this racket. There is no story as such , to be frank. If you are expecting a straight tale to unfold on screen , you are in for a shock. Somewhere down the line the characters of Rudra , Hamsavalli and the beggary racketeer all collide , culminating in a stunning climax.

The movie has been painstakingly filmed. The effort which has gone into making the movie is obvious right from frame 1 . The lives of the Mystical Aghori Cult of Kasi has obviously been subject to some intense research . I myself had extensively browsed the Internet to read about the cult , a few weeks before the movie came out. The ideals of these people are portrayed in an excellent manner , albeit only for a brief period , as only the first few sequences are set in Kasi .

Venturing out to make a movie on such a distinct concept is a huge achievement in itself , and Bala's touch is evident all through the movie . He belongs to the rare breed of Directors who believe in making serious , realistic movies.



What I really liked about the movie was the secondary significance of the actual story . The beggars pathetic lives is given priority , and the story in itself , takes a backseat. The magic of the movie lies in the fact that despite the absence of a functional plot , the movie keeps growing on the viewer. The emotional turmoil of these poor souls , makes for some very disturbing viewing.

Technically , every aspect of “Naan Kadavul” is top notch . Each frame , be it the opening frames of the Holy Town of Kasi , or the town of Malai Kovil is so rich in every detail. The close up sequences of the Bhaang smoking Rudra , muttering Sacred Chants or the portrayal of some seriously disabled beggars are all filmed brilliantly.

Music by Maestro Illaiyaraja is another highlight . Be it the vintage style of “Pichaipathiram” or the high energy “Om Shiva Om” , every song is classic Raja Sir . His songs blend so well with the storyline, and as with all of Bala's movies , there are no unwanted songs thrown at you.

Screenplay is as fast as lightning. Even with the lack of a concrete storyline , the movie grips you , thanks to Bala's magic.

However , the best thing about “Naan Kadavul” has to be the acting. Pooja is brilliant as the blind beggar , with a divine voice. She is easily one of Kollywood's most beautiful heroines , and even sans make up , there is something special about her . She shines in a completely de-glamorized role. The climax scene in which she bares her heart , in completely tattered clothes is easily one of the best scenes of the movie.

Arya as the Aghori Sadhu Rudra is superb . This is easily the role of a lifetime , and Arya has proved his worth . He smokes Bhaang at will , shouts at his father , pushes his mother in anger when she tries to touch him. Easily one of the most unique characters to grace the silver screen , the sheer energy which he brings into his role deserves accolades. The role fits him to a T . The long beard , the flowing mane and those piercing eyes will make everyone sit and take notice of this young actor , who deserves to be lauded for accepting such a different and complex role.


But , the real stars of the movies are the beggars . Some of them are completely deformed and will definitely strike a chord with the viewers. In fact there is a small,deformed beggar kid , whose cheekiness made the entire theater burst out laughing . Bala simply does not stop at showing how physically appalling these beggars are , but also goes one step ahead in bringing out their humane emotions .

These beggars too are humans like us . If you are expecting a documentary like portrayal of these poor souls , you are going to be surprised . The movie does not have a separate comedy track like all of Bala's films. There are some truly hilarious moments , in which the beggars poke fun at themselves . They are resigned to their fate no doubt , but the subtlety of their characters , is so beautifully brought out. Yes, the scenes involving the beggars makes the movie very disturbing overall. But they also provide some comic relief from the dark mood . Watch out for the scene in which Tamil Actors , especially MGR are spoofed in the Police Station... Rib-tickling !!!

Overall the movie leaves the viewer completely disturbed after watching it . This is not an entertainer , mind it. Bala's movies always ensure that you are made to feel bad about something in the movie. This one is no exception . The plight of the poor beggars is very disturbing . And add to it some serious violence , portrayed by Arya , especially towards the latter stages of the movie , it is not a movie for the weak hearted.

This is easily one of the best Tamil movies to hit the screen , for a long time . And coming from Bala , I expected nothing less .

However , am sure that the movie will not go down well with a sizable portion of the movie-going audience. Those who want to go to a movie just to be entertained , will be disappointed. Those ignorant to the problems faced by the lower strata of society , will hate it even more.

This is for a very mature audience , and strictly not for die hard fans of so called “actors” , who are given some mindless sobriquets , whose movies they make these days, can hardly be termed “watchable”. Thanks to Directors like Bala , Tamil Cinema still holds its head high.

A very disturbing film , this will easily go down as one of the classics of Tamil Cinema . Watch it to appreciate some truly brilliant performances from every single cast member , be it the Mystic Arya , the ruthless villain , or the cheeky little beggar . But more than anything else , watch it for Bala's magic. He is evidently the man with the Midas touch .

I will go with 4.5 out of 5 for Bala's “Naan Kadavul” , a movie to be seen and truly appreciated. A must – watch . Congrats Bala Sir , you have done it again !!!!

VERDICT : Uber ( 4.5 / 5 )